Two pictures stolen during the assembly of my film, Ecclesiastes ECCE. I, the editor Lorenzo Lombardi .
Thursday, March 10, 2011
Tuesday, March 8, 2011
Russian Tortoise For Sale
MY FRIENDS: IN MEMORY OF COMRADES AND MONICELLI
Here is a good initiative on Facebook who take part. Attended the event, and invite all your friends!
http://www.facebook.com/event.php?eid=195286697162045
To remember the good old Mario Monicelli , and the whole gang of the true and only " My Friends ". And instead
to denigrate Blacks Parenthood De Sica and the whole company of mediocre pseudo-actors "around him. Ceccherini I'm just sorry for ... It deserves a very different level of comedy.
Join! Join! Join!
Italian Cinema and Viva ... the real one, beautiful one!
Peace and good.
Here is a good initiative on Facebook who take part. Attended the event, and invite all your friends! http://www.facebook.com/event.php?eid=195286697162045
To remember the good old Mario Monicelli , and the whole gang of the true and only " My Friends ". And instead
to denigrate Blacks Parenthood De Sica and the whole company of mediocre pseudo-actors "around him. Ceccherini I'm just sorry for ... It deserves a very different level of comedy.
Join! Join! Join!
Italian Cinema and Viva ... the real one, beautiful one!
Peace and good.
Monday, March 7, 2011
Engagement Gift Sayings
The Black Swan vs GRINTA
IL GRINTA
Voto 7
IL CIGNO NERO
Voto 8
Pace. E bene. 
The new year has begun for a while (we are already in March), and even the movies I got startled by no masterpiece! Also because I lost a lot of movies, I have to recover as soon as possible.
However, two visions were the most interesting, and probably the most anticipated by myself: The Grit of Coen brothers, and The Black Swan of Darren Aronofsky. From the first I expected much, much more ... And instead I got the first disappointment of the year. This does not mean that the American brothers movie is of poor quality, or avoidable ... Indeed. It remains a film of great value, and that I recommend to everyone, fans of westerns or not. A classic story, with "coen's touch", which flows well, without hurry, with the right time, in a world of an era and a border always beautiful, charming and engaging. A film written well, directed well, played so well, shot well, etc. ... etc. ... Be attributed to the two authors only minor imperfections, and a lack of originality, strength of story, hints of genius. The story does not take off almost anything, and is also a bit trivial to some narrative development, the actors do theirs, but do not exceed (see off a Matt Damon, who have already given a very interesting character of his). In short, I wanted more ... Much better than "A serious man": the film had a much more difficult to digest, but at the same time it was original, imperfect, disorienting, and slowly, addictive and devastating. Until next time!
instead of an entirely different bill is that the new wizards of Aronofsky's work: his "Black Swan" is a dance unbalanced, overflowing, overwhelming, from beginning to end ... Thin, and magnetic as the face of its protagonist, the film evolves into a thrilling crescendo, to the beautiful, self-celebratory finale! This work also imperfect, but that is in this imperfection, even your own strength ... Certainly a film that leaves upset at the end of each spectator viewing. But let
below taken from a review Cinematografo.it , I agree almost entirely.
After years of paying dues, Nina (Natalie Portman ), a young dancer in a troupe of New York, gets the main part in the implementation of the famous Swan Lake by Tchaikovsky, now replacing the "worn" Beth MacIntyre ( Winona Ryder ). In the role of the queen, but Nina will be split and simultaneously innocent and and the evil White Swan Black Swan and disturbing latter became his obsession, because a naive and pure girl like her, castrated by a overprotective mother ( Barbara Hershey), transformed into a diabolical seducer is not a trivial matter. What's more, its inadequacy presses the button on the cynical artistic director of the company, Thomas Leroy ( Cassel), pushing it to bring out the dark side of herself, while the arrival of a new ballerina, la spregiudicata Lily ( Mila Kunis ), aumenterà le sue incertezze portandola lentamente alla pazzia...
Il cigno nero di Aronofsky è The Wrestler al femminile. Al posto delle botte il ballo, ma le ferite non fanno meno male. Storia intrigante, cast di sicuro appeal (Natalie Portman, Vincent Cassel, Barbara Hershey e la rising star Mila Kunis), un regista di talento che ha saputo contenere negli anni pulsioni ombelicali e artifici stilistici. Prova ne sia che da un soggetto poco originale - libera variazione sul mito di Pigmalione, scritto da Mark Heyman , Andres Heinz and John McLaughlin - Aronofsky was able to work that hard to get bored, and the mix of styles and patterns (which combines with ease melodrama, psychological thriller, horror, trash and musicals), a film that could ever escape overboard without ever reach. If a defect is attributable rather to the last test of the American film is just an excess of zeal, the impression that there is always something too calculated and cold and a tad predictable. On the other hand the theme - the theme of the double, the obsession with art, the cruelty of the stage, the metamorphosis - is not new, but Aronofsky it has the merit of her, bending to his poetic and personal balance. And while the director brings out - as I said - a reflection on cinema already begun with The Wrestler (film as a death at work on the actor's body), the other is confirmed in the direction of skilled interpreters - all superb, but the prize goes to the best of Portman, who won the Golden Globe nominee and authoritative - even evil in the allocation of roles, as when he decides to give Ryder the part of the diva on Sunset Boulevard. Then it is clear, its quirky sensibility and a little kitsch may not please everyone, but in front of a film so vibrant, vorticoso, eccessivo, è difficile restare indifferenti.
Contrariamente alla sua ballerina, Aronofsky non è "perfetto", nemmeno vuole esserlo. Il suo è semmai un cinema senza centro, instabile, infetto, stravagante e furioso. Balla paurosamente. Sta a noi decidere se ballare con lui.
instead of an entirely different bill is that the new wizards of Aronofsky's work: his "Black Swan" is a dance unbalanced, overflowing, overwhelming, from beginning to end ... Thin, and magnetic as the face of its protagonist, the film evolves into a thrilling crescendo, to the beautiful, self-celebratory finale! This work also imperfect, but that is in this imperfection, even your own strength ... Certainly a film that leaves upset at the end of each spectator viewing. But let
below taken from a review Cinematografo.it , I agree almost entirely.
After years of paying dues, Nina (Natalie Portman ), a young dancer in a troupe of New York, gets the main part in the implementation of the famous Swan Lake by Tchaikovsky, now replacing the "worn" Beth MacIntyre ( Winona Ryder ). In the role of the queen, but Nina will be split and simultaneously innocent and and the evil White Swan Black Swan and disturbing latter became his obsession, because a naive and pure girl like her, castrated by a overprotective mother ( Barbara Hershey), transformed into a diabolical seducer is not a trivial matter. What's more, its inadequacy presses the button on the cynical artistic director of the company, Thomas Leroy ( Cassel), pushing it to bring out the dark side of herself, while the arrival of a new ballerina, la spregiudicata Lily ( Mila Kunis ), aumenterà le sue incertezze portandola lentamente alla pazzia...
Il cigno nero di Aronofsky è The Wrestler al femminile. Al posto delle botte il ballo, ma le ferite non fanno meno male. Storia intrigante, cast di sicuro appeal (Natalie Portman, Vincent Cassel, Barbara Hershey e la rising star Mila Kunis), un regista di talento che ha saputo contenere negli anni pulsioni ombelicali e artifici stilistici. Prova ne sia che da un soggetto poco originale - libera variazione sul mito di Pigmalione, scritto da Mark Heyman , Andres Heinz and John McLaughlin - Aronofsky was able to work that hard to get bored, and the mix of styles and patterns (which combines with ease melodrama, psychological thriller, horror, trash and musicals), a film that could ever escape overboard without ever reach. If a defect is attributable rather to the last test of the American film is just an excess of zeal, the impression that there is always something too calculated and cold and a tad predictable. On the other hand the theme - the theme of the double, the obsession with art, the cruelty of the stage, the metamorphosis - is not new, but Aronofsky it has the merit of her, bending to his poetic and personal balance. And while the director brings out - as I said - a reflection on cinema already begun with The Wrestler (film as a death at work on the actor's body), the other is confirmed in the direction of skilled interpreters - all superb, but the prize goes to the best of Portman, who won the Golden Globe nominee and authoritative - even evil in the allocation of roles, as when he decides to give Ryder the part of the diva on Sunset Boulevard. Then it is clear, its quirky sensibility and a little kitsch may not please everyone, but in front of a film so vibrant, vorticoso, eccessivo, è difficile restare indifferenti.
Contrariamente alla sua ballerina, Aronofsky non è "perfetto", nemmeno vuole esserlo. Il suo è semmai un cinema senza centro, instabile, infetto, stravagante e furioso. Balla paurosamente. Sta a noi decidere se ballare con lui.
Gianluca Arnone
IL GRINTA
Voto 7
IL CIGNO NERO
Voto 8
Pace. E bene.
Wednesday, March 2, 2011
What's The Most Famous Blueprints
defend the public school.
Mi unisco all'appello e all'iniziativa lanciata da Repubblica per defend the public school, and the right of every citizen to the study, education and education. I am no longer a student for years, but working in film and show business (my little), I know what it means culture, and on the contrary, ignorance. The new generations are growing up without precise values, those without the right tools and valid to assess their surroundings, to get a meeting with the objective of "nice" to have a relationship or a relationship with others. To give a short, high-level contribution to themselves and to others. Ignorance on the other hand, is one of the most vicious evils of our world, my experience in the Congo, years ago, taught me many things, and one in particularly ... Hunger is not the main problem of that population, and all the peoples of the Third World, but rather ignorance, not knowing. Then why all become puppets manipulated by others (who use culture and the intelligence so despotic).
But I leave my thoughts to words of two great men of culture, the director Ferzan Ozpetek, and writer-actor Dario Fo ... Words that share, and to which I join, with the hope of improving our school, and not to continue this progressive decline.
"The school is the place par excellence for the exchange of ideas, teachers with other teachers of pupils with other pupils, and especially master teachers and professors with their students and university students - writes Ozpetek -. A teacher or professor has a lot to teach but also to learn, a student or a student has a lot to learn but also to teach. The school is home to all precious and pleasant, a teacher of democracy, respect and solidarity. Place of learning and knowledge, education, the right and duty to learning, empowerment and recognition of merit. So it should be but unfortunately it often is not. To be clear, the school must be public, be open and transparent, free to accommodate the needs of those who prefer to attend the private school. "
Nobel laureate Dario Fo with his wife Franca Rame : " defend the public school because we grew up, made us grow up and why it is the only educational institution that has created a cultural tradition in our country, just think that the ratio of pupils attending public schools and those enrolled in private is 1 million to 50 thousand. "
Peace and good.
But I leave my thoughts to words of two great men of culture, the director Ferzan Ozpetek, and writer-actor Dario Fo ... Words that share, and to which I join, with the hope of improving our school, and not to continue this progressive decline.
"The school is the place par excellence for the exchange of ideas, teachers with other teachers of pupils with other pupils, and especially master teachers and professors with their students and university students - writes Ozpetek -. A teacher or professor has a lot to teach but also to learn, a student or a student has a lot to learn but also to teach. The school is home to all precious and pleasant, a teacher of democracy, respect and solidarity. Place of learning and knowledge, education, the right and duty to learning, empowerment and recognition of merit. So it should be but unfortunately it often is not. To be clear, the school must be public, be open and transparent, free to accommodate the needs of those who prefer to attend the private school. "
Nobel laureate Dario Fo with his wife Franca Rame : " defend the public school because we grew up, made us grow up and why it is the only educational institution that has created a cultural tradition in our country, just think that the ratio of pupils attending public schools and those enrolled in private is 1 million to 50 thousand. "
Peace and good.
Tuesday, February 8, 2011
Reverse Stomach Sitting
Technical details
Turning a bit on the internet I came across, more or less randomly, in this very interesting video, I found the blog of Max de Michelis.
The video shows how you can control your opponent with a side that resembles the control system we are developing ... some details were already known to me, but I find it interesting to the multitude of developments that may be from a position that is considered extremely basic.
The video is not ninja techniques ... if they see too many on the web, a more useless than the other. Small
motion sequences, precise and surgical, however, can transform a position of control in a mousetrap. Notice how many adjustments are needed before arrrivare the perfect location, ie the control that works on aligning the spine-pelvis-head ... and how fundamental it is not immobilize the opponent, but force him to move so as to give us better opportunities.
The video Blog ... Max de Angelis accompanied by his technical comments very interesting.
http://maxbjj.blogspot.com/2010/11/immobilizzazione-vs-controllo.html 
Turning a bit on the internet I came across, more or less randomly, in this very interesting video, I found the blog of Max de Michelis.
The video shows how you can control your opponent with a side that resembles the control system we are developing ... some details were already known to me, but I find it interesting to the multitude of developments that may be from a position that is considered extremely basic.
The video is not ninja techniques ... if they see too many on the web, a more useless than the other. Small
motion sequences, precise and surgical, however, can transform a position of control in a mousetrap. Notice how many adjustments are needed before arrrivare the perfect location, ie the control that works on aligning the spine-pelvis-head ... and how fundamental it is not immobilize the opponent, but force him to move so as to give us better opportunities.
The video Blog ... Max de Angelis accompanied by his technical comments very interesting.
http://maxbjj.blogspot.com/2010/11/immobilizzazione-vs-controllo.html
Sunday, February 6, 2011
Johnny The Homicidal Maniac Online Comic
European LISBON 2011
It was a long time I dreamed of being able to participate, and maybe make the podium in this competition: the most prestigious competition of Brazilian Jiu Jitsu in Europe.
Finally in 2011 has allowed this long and expensive trip to the usual four horsemen of the apocalypse that now run some time in Italy, and now Europe, to take part in all the races a bit of grappling and BJJ that happen to us.
It starts at dawn (as always, and as in all movies) from Molfetta at a time of Lisbon, 26.01.2011 ... Mimmo dress and sweet wife, Rosa, Luigi Germinario with Father and brother Alessio in tow, Daniel and myself ...
We meet in Milan with the rest of the team: the legendary Andrea washing, the exporter of Ignorance of Sestri Levante, tagged, RGC, and the brothers of the Carrara: the instructor Michele Cipriani, Matteo Spada, and Onizuka.
arrive in Lisbon we settle in the room and begins to spin a little town ... promising start in Barrio Alto, and an excellent meal of meat.
The morning after you open the ball.
The first to take the field is Germinario Louis: fighting like a lion, the first fight but lost by a handful of points ... idem Mimmo, who lost against a white belt di Lisbona, autoctono e amico dell'organizzazione, per un solo vantaggio arbitrale. Sarà l'emozione o la poca esperienza di gare internazionali ... i ragazzi hanno lottato bene, ma non è bastato.
Ok si gira pagina!
E' la volta di Daniela che l'indomani, in tarda mattinata sale sul tatami affrontando una ragazza svedese che sembra innocua come una scolaretta, ma nasconde un ottimo jiujitsu... Daniela domina per i primi 3 minuti, ma si lascia disarcionare dalla posizione di dominio, concede una mezza guardia e finisce in una finalizzazione. Resto dell'idea che se avesse potuto sentire di più l'angolo Daniela avrebbe vinto... ma ormai la frittata è fatta!
In the afternoon fighting with a guy I think of Eastern Europe. In the fight standing immediately feel its power in the sockets ... his struggle to avoid, I dive in a (half-hearted!) double leg, which is now defended. I turn back to avoid now, and while the opponent tries the north / south, shall promptly make an upside down backwards to take her back ... the effort I can, I go out of its fixed assets but failed to take her back and put it in closed guard. The pincers instead of hands that had become immediately feel and despite trying to pass me on several occasions without success, and despite my several attempts to overturn the marble opponent is stuck managing them an advantage arbitrale che non so ancora come abbia preso. A mio avviso avrebbe meritato una penalità per passività, ma non avendo ancora rivisto il video, preferisco non crearmi giustificazioni. Andata... finisce zero a zero, e vittoria all'avversario per un vantaggio.
Avversario che perderà la gara successiva, prendendo il bronzo! Mi sarebbe bastato un solo punto per fare podio...
Non voglio crearmi alibi, la gara è andata da schifo, per me e per tutti gli altri... sinceramente non credo che ci siano state mancanze tecniche, più che altro abbiamo mancato nell'allenamento fisico, vista la forza degli avversari... si ritorna l'anno prossimo, più preparati e più consci di quello che ci aspetta.
Prima di concludere devo fare una lode ad Andrea Lavaggi, che ha lottato 4 combattimenti difficili e combattutissimi, ciascuno fino in fondo, senza mai mollare.... dopo essere rimasto l'ultimo dei nostri uomini, ed il più anziano di grado, ha sentito addosso la pressione della responsabilità del suo ruolo e non ha mancato nell'onorare la squadra e la sua cintura, portando a casa un argento che vale quanto un oro!!!! Grande Andrea, sei un esempio per tutti!!!! Bravissimi anche i ragazzi di Carrara che come noi, non hanno avuto successo ma c'erano, e non hanno smesso di provarci fino all'ultimo....
Ci si rivede in Lisbon in a year ... hoping for something better, and if it still hurts to go, you will return until we have done well.
Monday, January 24, 2011
Hide My Wall Posts To Others
I, who always smile.
 | |||
| ⓐ ⓝ ⓨ ⓜ ⓞ ⓡ |
smile to freedom, the nature
smile, her perfume, its beautiful colors,
smile chasing the youth that is consumed,
smile off to a city that does not react.
smile to those who pretend not to know and looks,
smile to my mother, Judge inquisitor
to my father, Pontius Pilate of the conspiracy,
to my sister who always laughs at me, who knows why ...
smile to my Son, glimmer of hope,
perpetual energy that accompanies me,
tomorrow to cultivate spontaneity to match,
truth to defend.
smile to my Love,
stubborn that guide me in this journey towards the goal;
to him who puts me in the center of his world, the insinuations
incorruptible, bold and worthy warrior
of this place which by right belongs to him.
who loves me unconditionally, or buts, no ifs ...
smile to friends,
attendance discrete but attentive, diligent
need to, inclined to the support, always.
Expert staff, great supporters.
Friends Forever.
I smile because I'm proud of what they are,
smile at my fucking pride, I do not change,
huge smile to my dignity,
will not let me drop style, ever.
smile, knowing that attract envy and jealousy,
smile to mean, the ignorant,
to subtle.
smile to yourself that you're reading
and you know why?
Cause I really want to smile.
smile at the past, present, smile at the future.
I smile because I'm just like.
smile, because despite the blows taken,
continue to love life.
I, who always smile.
smile, her perfume, its beautiful colors,
smile chasing the youth that is consumed,
smile off to a city that does not react.
smile to those who pretend not to know and looks,
smile to my mother, Judge inquisitor
to my father, Pontius Pilate of the conspiracy,
to my sister who always laughs at me, who knows why ...
smile to my Son, glimmer of hope,
perpetual energy that accompanies me,
tomorrow to cultivate spontaneity to match,
truth to defend.
smile to my Love,
stubborn that guide me in this journey towards the goal;
to him who puts me in the center of his world, the insinuations
incorruptible, bold and worthy warrior
of this place which by right belongs to him.
who loves me unconditionally, or buts, no ifs ...
smile to friends,
attendance discrete but attentive, diligent
need to, inclined to the support, always.
Expert staff, great supporters.
Friends Forever.
I smile because I'm proud of what they are,
smile at my fucking pride, I do not change,
huge smile to my dignity,
will not let me drop style, ever.
smile, knowing that attract envy and jealousy,
smile to mean, the ignorant,
to subtle.
smile to yourself that you're reading
and you know why?
Cause I really want to smile.
smile at the past, present, smile at the future.
I smile because I'm just like.
smile, because despite the blows taken,
continue to love life.
I, who always smile.
ⓐ ⓝ ⓨ ⓜ ⓞ ⓡ
Xtreme-curves.com Leigh
I have a dream.
 |
| ⓐ ⓝ ⓨ ⓜ ⓞ ⓡ |
A dream that keeps me alive.
As an artificial lung, oxygenates my days.
My dream is mine alone.
Fa strange turns, between the mountains and the sea.
But we keep coming back and ridiviene chimera.
Come un sole fa capolino tra le nubi bianche e, riscalda l'anima inquieta.
L'accende. La trafigge di splendore.
Il mio sogno è un vestito nuovo ancora da indossare.
Di fattura perfetta, di stile impeccabile, una seta che scivola addosso.
Appeso alla sua gruccia, mi osserva, impaziente di essere adoperato
per l'occasione speciale.
Il mio sogno è solo mio.
Inganna l'inquietudine e accarezza l'indugio,
arresta la menzogna e osteggia la perfidia.
Difende l'essenza.
protect the purity.
My dream is consistency, tangible truth. And 'reality.
My dream is foreshadowing of what must have been completed.
My dream is ours alone.
And, like tightrope walkers tightrope, hoping not to fall,
impudent and continue the arduous journey along the rope of love, giving flashes of astonishment,
and at the same time, lightning of fear.
There is only one strategy, balance, and follow my heart that counsels us to continue.
The goal is always there.
As an artificial lung, oxygenates my days.
My dream is mine alone.
Fa strange turns, between the mountains and the sea.
But we keep coming back and ridiviene chimera.
Come un sole fa capolino tra le nubi bianche e, riscalda l'anima inquieta.
L'accende. La trafigge di splendore.
Il mio sogno è un vestito nuovo ancora da indossare.
Di fattura perfetta, di stile impeccabile, una seta che scivola addosso.
Appeso alla sua gruccia, mi osserva, impaziente di essere adoperato
per l'occasione speciale.
Il mio sogno è solo mio.
Inganna l'inquietudine e accarezza l'indugio,
arresta la menzogna e osteggia la perfidia.
Difende l'essenza.
protect the purity.
My dream is consistency, tangible truth. And 'reality.
My dream is foreshadowing of what must have been completed.
My dream is ours alone.
And, like tightrope walkers tightrope, hoping not to fall,
impudent and continue the arduous journey along the rope of love, giving flashes of astonishment,
and at the same time, lightning of fear.
There is only one strategy, balance, and follow my heart that counsels us to continue.
The goal is always there.
αиумσя ©
Friday, January 21, 2011
2009 Barometric Pressure Readings In Missouri
I, a woman uncomfortable.
 |
| ⓐ ⓝ ⓨ ⓜ ⓞ ⓡ |
I love the truth, unvarnished.
not tolerate or judgment, even injury.
I have the healthy habit of slamming in my face dissent.
I laugh when I want to.
I cry, when I like, in my solitude.
Love does not beg, nor good feelings. They conquered.
I do not like Louis Vuitton.
I buy what I like. And, I do become a piece of mine.
There are days when I drag myself comfortable in Tutone.
It 's my way to hug me.
I have a vocabulary of wagoner when I enkindled,
but not for this, I lose my femininity.
I like to make love. I need it.
I was an unfaithful woman, if not loved.
Today, I love so exclusive, they are faithful and totalitarian.
I consider myself a lucky woman.
I had men that I have been loved and celebrated.
too much.
I've never left it.
yet, I suffered, I too, love.
I closed many doors,
not reopen EVER.
I never looked back.
I have no regrets, no remorse.
I have no secrets to hide.
I great friends, always there.
I never felt alone,
yet, I love the solitude.
I'm a anti-social
illegitimate daughter of a society that is not mine,
where hypocrisy is the master.
hate rallies and forced religious holidays.
My son is in first place in the ranking of my priorities.
I am a mother too present.
suffer when he is wrong.
Godo to see him happy.
For some women have a cold, cynical, sterile.
Certainly more selfish than some time ago
(forced to give, you only learn to take).
I, I think I'm just a good look at myself.
know the hard work and I know the courage.
I know the fear and pain.
know love and I know that you care,
but I can not do without.
not accept interference from anyone,
advice nor by whom, in life, has lived at least
a small part of my "experiences".
I have always fought, even for small things.
My everyday is a struggle for survival,
yet, I do not miss anything.
For Friends is a wild flower child,
are actually a woman and nothing else.
(αиумσя ©)
Thursday, January 20, 2011
Herpes Around Nose, Treatment
ROBERTO atall atall
take advantage of these free 2 minutes, among the many annoyances of this period, labor, and not to write the chronicles of the 2 days (15 and 16 January) when we finally had the honor of meeting and hosting our leader Roberto Atalla.
It was some time ago that I should organize this stage, but for many reasons it was delayed ... finally I managed to carve out a weekend, ahead of our trip to the EU's Lisbon!
Saturday morning around 13 we welcomed in the mestre station with a small delegation of welcome made by some of us. Now quick meal and tour the old town of Molfetta, where the mestre took the opportunity to take some photos. Detour to Live (aka Molfettese bar) for a café, and now we start with the first day of internship dedicated to Nogi. The lesson focused on defense against a variety of techniques to finalize ... argument that I have never treated a lot more thinking to train the attack that defense. But Robert has argued, saying that the attack can still be chosen according to their capacity, while the defense can not choose ... must always be full! Good point I think!
The stage, the first day counted the participation of many friends, almost all of my students, the group Modugno, Pino my friend (a veteran of the mat), the inevitable Meo, Graziano has suspended his studies to the his thesis, for a total of twenty people!
finished the stage, Pino brings us to eat in Bisceglie ... bastard! Dany and I remain at spilluccare something, because diet pro Lisbon, while they stuff themselves with meat.
After the evening.
the second day of shopping in the commercial center of Molfetta, after waiting and taken from the Mestre B & B A graduate of Molfetta (... really cute!).
visit and do some shopping and lunch. After a short visit to the new Live and ready for the second day!
defense again, but this time the defense from various locations. I already knew the technical repertoire, but I learned many useful details. The second day was entirely devoted to practice with the kimono and counted once again a dozen people, including our new friend Alex Donatiello, who with his father has endured a trip from Naples to come and meet us and the mestre . Thank you Alex, it was a pleasure to know ya!
Eventually a bit of sparring e. .. surprise! Vito was graduated blue belt! Mestre Thanks!! Vito and good, he deserved some time this belt.
Vito is one of the oldest members of this group, you can say one of the founders, together with Daniela, Luigi, and Meo. It was never removed except for good cause and has always shared everything, good times and difficult times, giving a valid support and all his enthusiasm. More than a student consider it as a full brother.
Bravo Vito, you are finally able to put on a par with other "old "....
Alla fine delle 2 giornate posso dire di aver conosciuto un personaggio davvero straordinario... ciò che colpisce di lui è la sua semplicità e umiltà, oltre ad una grande sipatia. Poca gente, che vanta un curriculum come il suo, si distingue per queste due caratteristiche, il che è stato un esempio che contribuisce a fare del bjj uno sport sano e genuino.
Valeu Mestre e alla prossima!!!
Wednesday, January 19, 2011
Saturday, January 8, 2011
Does Hiv Rashes Usually Scab?
And now will make notes instead of my top 10 ranking, the top 10 films that have marked the history of the cinema of this decade now elapsed. Before to state, however, I would like to know also some of the films that I had to discard and not able to insert in the top 20. These include: SEA INSIDE by Alejandro Amenabar, ISLAND Pavel Lounguine, HUNGER by Steve McQueen, PUBLIC ENEMY Michael Mann, MILK Gus Vant Sant, of The Son's Room Nanni Moretti, UNBREAKABLE M. Night Shyamalan.
Here is the hot zone.
10 - THE PASSION OF CHRIST Mel Gibson
The best film ever made on the figure of Christ and His life. Here, especially, Gibson makes the best choice, and that focus on the last days of Jesus' life, its passion, adopting a style raw and violent, but at the same time dignified and spiritually unique. The film by American director is full of strong images, and drenched in love, the true one, that of a man and a God who has sacrificed everything to save himself every single beggar, a human being. The message of Christ's message of love that comes overwhelmingly from blood, splatter every shot, from any explicit violence, and finds strength in the face of a crying woman, in a gesture of a mother who raises their child just dropped in a breaking of the bread, in a detail of a drop falling to earth like a stone. Great cinema, serving the most important stories and beautiful as ever. 9 - MUNICH
Steven Spielberg
Steven Spielberg
Before this film, Spielberg had seen the great (and criticized for this) as a director patriotic American and that's only interested in producing and directing commercial films to meet the huge audiences. With Munich has sealed their mouths at all. He has made a wonderful film, against America, against the moral of every spectator ... A film ruthless, terrible, cruel. More than two hours of cinema superlative unique artistic experience. The sex scene between the protagonist and his wife skillfully alternating the vision of an armed attack, with lots of gunfire and machine guns, that is all a film: the emergence of life that alternates to a world where death reigns. MASTERPIECE! 8 - AI - ARTIFICIAL INTELLIGENCE
Steven Spielberg
Steven Spielberg
And there is also still in eighth place Spielberg, with another great film of this decade. Collected the last wishes of the genius of Stanley Kubrick , director jew pick up the story of Pinocchio reinterpreted on science fiction, and makes travel to high peaks, At the Eden Cinema, to those works that go beyond the images, go beyond the simple poetry of an assembly, which go where only the genius can bring. That's why AI is a film of a magnificent one, where every shot is like a line from a poem, where every scene is a feast for the eyes, where each character has a touch of creativity idyllic, where Jude Law leaves us a interpretation of the most beautiful ever taste. The great Spielberg gives us another masterpiece, his last and true and so we fall asleep, after seeing him for the umpteenth time, after that final haunting and sublime, led many images, such as the New York post-apocalyptic underground dalle acque, e una ruota panoramica distrutta, immersa nel fondale degli abissi. Inchiniamoci all'Arte del Maestro. 7 - IL CAVALIERE OSCURO
Christopher Nolan
Christopher Nolan
Tutto ciò che il Cinema dovrebbe essere, eccolo qui nel film di Nolan, l'ultimo dei pochi grandi registi "new-entry" che riesce a far sposare la qualità alla quantità, e cioè la bellezza e la poetica al botteghino, per parlar chiaro. Il cavaliere oscuro è un blockbuster d'autore, e quindi è tutto, è il massimo esempio di cinematografia. Un film potente, complesso, articolato; un'opera d'arte talmente precisa and upsets that almost perfect. It 'also, and above all, a warm farewell and goodbye to a special artist, Heath Ledger: His Joker is now the best interpretation of these years of cinema, and probably the whole story. Divine and sublime, raw and magnetic ... A service of Nolan, and his spectacular, huge, amazing film. The chills. Really shivering in front of this large area. 6 - LAST DAYS Gus Van Sant
Gus Van Sant could not miss in this list. And of course, could not miss his film better than ever: Last Days . Inspired by the last days of life the star of Nirvana, Kurt Cobain, Van Sant's film is actually an elegiac journey in the depths of a soul lost and alone, suffering and at the mercy of Life and Death. A film made of voids, where the director worked on the absence of things, lean on, the poor ... The outside does not count, the viewer must be inside, the protagonist in this crazy, schizophrenic, and discover the holes blacks of the heart, the cries of despair, sobs of desolation, the music that with effort and groans of pain, out of soul destroyed. Highest form of art, the highest ever, in a wonderful film that immerses you and makes you not come out till the end ... Until the soul bare, clean, and finally stripped of Blake is released from that broken body and depressed, and starts to climb to Heaven. Van Sant writes poetry with images, and gives us his masterpiece. 5 - STAR WARS III: REVENGE OF THE SITH George Lucas
A fifth position is not only for this third episode of the most famous and important film saga ever created. It 's a fifth place going to George Lucas and all that the world he invented and written, to all those people who have made us dream and live incredible adventures, all those stories of wars intergalittiche of Jedi fighting with swords- laser, spaceships, kings and queens, emperors and giant monsters. In short, the third episode of Star Wars is the film that closes a circle that closes a journey that started many years ago and won millions and millions of people around the world, dreams, hopes and emotions. This film is cinema at its core, is pure entertainment ... is simplicity in its most profound complexity, is the eternal struggle between good and evil, is the strength and the power of myth that states and imposes itself in the bare and sad reality. It 's a dream with open eyes. That when it ends, brings out a tear. THANKS GEORGE! 4 - INTO THE WILD Sean
Penn
Penn
"Dopo circa due anni, al Cinema ho potuto riammirare la forza e la bellezza di un vero Capolavoro. Uno di quei film unici, che capitano raramente e che fanno vivere l'esperienza eccelsa della visione, "l'orgasmo artistico". Into the Wild è questo. Sean Penn prende lo spettatore e lo porta diretto all'essenzialità della Vita, lo trascina nell'eccitante cammino della Libertà, gli mostra gli emozionanti prodigi dell'Amore, lo mette davanti alla Natura Selvaggia, lo mette di fronte alla Luce di Dio. Un on the road spiazzante, un'avventura coinvolgente con uno strepitoso Emilie Hirsch e una splendida Kristen Stewart, una regia versatile, virtue and class, a music alive and strong. A hymn to happiness, truth and spiritual wisdom. " [from my previous post] no more, a movie too ... too much too
3 - THE LORD OF THE RINGS: THE TWO TOWERS
Peter Jackson
Peter Jackson
perfection. 2 - THE LORD OF THE RINGS: THE FELLOWSHIP OF
Peter Jackson
Peter Jackson
less than perfect. - THE LORD OF THE RINGS: THE RETURN OF THE KING
Peter Jackson
Peter Jackson
not have this number first. It is not a priority. E 'as well. Cinema is not, it is more. It is not perfect, is still not an adjective coined, and that will never exist to describe everything with dignity. Dire masterpiece is miserably simplistic. Say no more, because I do not know what to say. I just say thanks to Tolkien, Jackson the king and all his staff, for bringing us this gift. I do not bow, because it would be an insult. Only thanks. Peace and good.
Friday, January 7, 2011
Eagle Sprt Metal Cores
FILM FILM DECADE DECADE 2000/2010 2010 2000/2010
In this post, the last 10 positions, from 11th 20.
To date, the best film out of the house of animation Pixar (which still does not have a shot never wrong), Monster & Co. is a nice movie, shocking and profoundly innovative: everything is upside down, through a skilful use of the staging, the film tension, and of pure entertainment with great entertainment.
did not give any credit to this movie, when I wanted to see him for the first time I thought the usual American comedy, with two Bellucci Hollywood, which at most could be nice and pleasant. Instead, it was the biggest surprise of the decade ... Crowe's film touches the threshold of the masterpiece. A comedy on the road "fun and funny, based on opposites attract, on leave, only to find themselves, about love, family, and all that good we can be in a world marked by always sadness, failure and testing of evidence, on pain and suffering. A blown clean air, a beautiful movie, which is good and makes you smile.
The best film of Anderson, even with his latest effort, There Will Be Blood . Magnolia is a great film, choral, multifaceted life that exudes in each shot. A fresco of the long loneliness and depression of various characters of the reality of all time, driven to escape from their lives, motivated by a desire to meet again and then escape again. Anderson learned the lesson from Altman, and creates one of the most important films of this decade, and more ... Giving the history of cinema one of the most beautiful scenes ever seen, and an author of the best contemporary.
The best animation film of all time, the Japanese master Hayao Miyazaki in 2004 gives us this great jewel of cinema: a film of 'animation (Always strictly traditional) against the power of war, which enhances the simple emotions, relations among the humble people, the importance of spirituality in a materialistic era, and I repeat, militaristic. A melodrama of rest, the vast landscapes, and colorful characters and colorful. I bow, and I take off my hat off to Hayao Miyazaki.
Absolutely one of the most underrated films of the decade. A misunderstood masterpiece. A technically perfect film, from sweeping and compelling narrative: visually powerful film SF incredibly wise that reflects all concerns and fears of post-September 11. Another masterpiece by Steven Spielberg.
"With this film, Burton proves to be a great director choosing the path more difficult for a writer accustomed to the Baroque period and visual richness: working in subtraction, turning in a sober and almost geometric in simple environments to the limits of the examination, entrusting the feelings of the protagonists not to grand gestures or big speeches, but to detail the little things: the looks, the kisses, all ' mentioned and maybe not explicitly and not concluded.
The result is a moving and wonderful that moves the audience to tears with laughter and at the same time, winning in a slow but inexorable. " [Frederick Rounds]
A magnificent film, an homage to the movies and heard his very essence, the ' "8:30" Burton.
An animated film unique and unrepeatable. One of the cinematic experience most beautiful, funny and hilarious in my life. Ice Age eat a single bite all produced three-dimensional Pixar, and gives us a sight never seen before, with characters, situations and gags in the history of law has now entered the big screen. We laugh to no end, and reflected on the importance of group unity and Tolerance. Undisputed masterpiece!
In my charts could not be one of the most important of the Cinema, and one of my favorites of all time. And here is his latest film: a film so great that a critical move is really difficult. Certainly lower than the previous masterpiece of American film, The sottile linea rossa , The New World è comunque un film straordinario e suggestivo, per la sua infinità poeticità, la bellezza delle immagini: un viaggio metafisico e quasi-ipnotico attraverso la scoperta, e tutte le conseguenze che essa comporta.
L'unico film italiano che vedrete presente in questa classifica. E viene direttamente dall'unico grande, e forse più grande in assoluto, regista italiano di questi ultimi anni! Il mitico Nanni qui ci dona il suo film più maturo, dove mette tutto sè stesso e tutto ciò che gli piace: un mix potente, una storia d'amore, a tribute to the Cinema, a political film about Berlusconi. A film that reflects the Italy of our time, wisely, wise and ironic. The best Italian film of the decade.
The great and amazing Shyamalan film: a thriller evocative, dark and disturbing atmospheres, which plays suspense and seen and unseen, an intricate network of wires that gradually unfolds in front of the giving the viewer with twists and jerks impressive.
But also, and above all, a human and spiritual film, which highlights the importance of nature, the courage to escape from the corruption of civiltà, il rifugiarsi in mondi idialliaci, dove regnano i sentimenti semplici e puri. Dove però ci sono prove da superare sempre, sofferenze da sopportare e dove la civiltà ti richiama comunque: dove solo l'Amore quindi, tra tutto e tutti, tra passato e presente, tra pazzi e sani, comunque vince e "muove il Mondo".
Nei prossimi giorni scoprirete i PRIMI 10 POSTI della Classifica 2000/2010.
Pace e bene.
A decade of Cinema has spent a decade of dreams, emotions, and Life. So I find myself also to draft a list of the personal preferences of these films 10 years, you know those movies that I think are the best films seen, and most important products spawned from Seventh Art during this first period of the new millennium.
In this post, the last 10 positions, from 11th 20.
20 - Monsters, Inc.
Peter Docter, David Silverman, Lee Unkrich
Peter Docter, David Silverman, Lee Unkrich
To date, the best film out of the house of animation Pixar (which still does not have a shot never wrong), Monster & Co. is a nice movie, shocking and profoundly innovative: everything is upside down, through a skilful use of the staging, the film tension, and of pure entertainment with great entertainment. 19 -
Elizabethtown Cameron Crowe
Elizabethtown Cameron Crowe
did not give any credit to this movie, when I wanted to see him for the first time I thought the usual American comedy, with two Bellucci Hollywood, which at most could be nice and pleasant. Instead, it was the biggest surprise of the decade ... Crowe's film touches the threshold of the masterpiece. A comedy on the road "fun and funny, based on opposites attract, on leave, only to find themselves, about love, family, and all that good we can be in a world marked by always sadness, failure and testing of evidence, on pain and suffering. A blown clean air, a beautiful movie, which is good and makes you smile. 18 - MAGNOLIA
Paul Thomas Anderson
Paul Thomas Anderson
The best film of Anderson, even with his latest effort, There Will Be Blood . Magnolia is a great film, choral, multifaceted life that exudes in each shot. A fresco of the long loneliness and depression of various characters of the reality of all time, driven to escape from their lives, motivated by a desire to meet again and then escape again. Anderson learned the lesson from Altman, and creates one of the most important films of this decade, and more ... Giving the history of cinema one of the most beautiful scenes ever seen, and an author of the best contemporary. 17 - THE Howl's Moving Castle Hayao Miyazaki
The best animation film of all time, the Japanese master Hayao Miyazaki in 2004 gives us this great jewel of cinema: a film of 'animation (Always strictly traditional) against the power of war, which enhances the simple emotions, relations among the humble people, the importance of spirituality in a materialistic era, and I repeat, militaristic. A melodrama of rest, the vast landscapes, and colorful characters and colorful. I bow, and I take off my hat off to Hayao Miyazaki. 16 - WAR OF THE WORLDS
Steven Spielberg
Steven Spielberg
Absolutely one of the most underrated films of the decade. A misunderstood masterpiece. A technically perfect film, from sweeping and compelling narrative: visually powerful film SF incredibly wise that reflects all concerns and fears of post-September 11. Another masterpiece by Steven Spielberg. 15 - BIG FISH
Tim Burton
Tim Burton
"With this film, Burton proves to be a great director choosing the path more difficult for a writer accustomed to the Baroque period and visual richness: working in subtraction, turning in a sober and almost geometric in simple environments to the limits of the examination, entrusting the feelings of the protagonists not to grand gestures or big speeches, but to detail the little things: the looks, the kisses, all ' mentioned and maybe not explicitly and not concluded. The result is a moving and wonderful that moves the audience to tears with laughter and at the same time, winning in a slow but inexorable. " [Frederick Rounds]
A magnificent film, an homage to the movies and heard his very essence, the ' "8:30" Burton.
14 - Ice Age Chris Wedge
An animated film unique and unrepeatable. One of the cinematic experience most beautiful, funny and hilarious in my life. Ice Age eat a single bite all produced three-dimensional Pixar, and gives us a sight never seen before, with characters, situations and gags in the history of law has now entered the big screen. We laugh to no end, and reflected on the importance of group unity and Tolerance. Undisputed masterpiece! 13 - THE NEW WORLD
Terrence Malick
Terrence Malick
In my charts could not be one of the most important of the Cinema, and one of my favorites of all time. And here is his latest film: a film so great that a critical move is really difficult. Certainly lower than the previous masterpiece of American film, The sottile linea rossa , The New World è comunque un film straordinario e suggestivo, per la sua infinità poeticità, la bellezza delle immagini: un viaggio metafisico e quasi-ipnotico attraverso la scoperta, e tutte le conseguenze che essa comporta. 12 - IL CAIMANO
Nanni Moretti
Nanni Moretti
L'unico film italiano che vedrete presente in questa classifica. E viene direttamente dall'unico grande, e forse più grande in assoluto, regista italiano di questi ultimi anni! Il mitico Nanni qui ci dona il suo film più maturo, dove mette tutto sè stesso e tutto ciò che gli piace: un mix potente, una storia d'amore, a tribute to the Cinema, a political film about Berlusconi. A film that reflects the Italy of our time, wisely, wise and ironic. The best Italian film of the decade. 11 - THE VILLAGE
M. Night Shyamalan
M. Night Shyamalan
The great and amazing Shyamalan film: a thriller evocative, dark and disturbing atmospheres, which plays suspense and seen and unseen, an intricate network of wires that gradually unfolds in front of the giving the viewer with twists and jerks impressive. But also, and above all, a human and spiritual film, which highlights the importance of nature, the courage to escape from the corruption of civiltà, il rifugiarsi in mondi idialliaci, dove regnano i sentimenti semplici e puri. Dove però ci sono prove da superare sempre, sofferenze da sopportare e dove la civiltà ti richiama comunque: dove solo l'Amore quindi, tra tutto e tutti, tra passato e presente, tra pazzi e sani, comunque vince e "muove il Mondo".
Nei prossimi giorni scoprirete i PRIMI 10 POSTI della Classifica 2000/2010.
Pace e bene.
Subscribe to:
Posts (Atom)